đ§ What if that story that made you cry was written with ChatGPT?
On AI, creativity, and why âeffortâ is overrated
Youâre halfway through a novel thatâs hitting you right in the gut. Itâs beautiful. Honest. Maybe even painful. You close the book for a second, dry your eyes, and then you read: âwritten with AI.â
Would you feel cheated?
Would the story mean less?
Would the emotion vanish just because you now know how it was made?
In a conversation between Italian creators Matt Giachi and Raffaele Gaito (full conversation here), one truth came up thatâs becoming harder and harder to ignore:
đ AI is quickly becoming the most powerful creative tool of our time.
And yet, we still hear:
"Ah, you did it with AI?"
"Did ChatGPT write this?"
Weâve heard this tone before.
For some, using it still feels like cheating. Like cutting corners. Like whatever you made isnât fully yours anymore.
But still, they don't say (anymore):
đď¸ âIt doesnât count, you Googled it instead of going to the library.â
đ§ą âIf your project was designed with a software instead of hand-drawn with pencil and ink, youâre not a real architect or engineer.â
đď¸ âPhotoshop? No thanks, real art is made with egg tempera on wooden panels.â
But here's the thing: creativity isnât about pain. Art isnât just about effort.
Design isnât noble because itâs hard.
đ What matters is the effect. The feeling. The impact.
What it leaves behind in the person who experiences it.
Gaito puts it perfectly:
âWhy on earth should this matter? It would be like saying: youâve just bought a record, and the store owner tells you, âWait a second, I need to warn you â the guy who made this didnât study at the conservatory, doesnât know how to play the piano, and did everything with software.â Is it important that you go home knowing this before listening to the music? Or should you just go home, listen to it, and be moved by it?â
The question isnât âDid you use AI?â
The question is âDid it work?â
Did it resonate, stir something, stay with you after the lights were off?
Itâs not scandalous to use a language model to explore metaphors, brainstorm titles, or spark your creativity when you hit a wall.
Whatâs scandalous is switching off your brain and expecting the machine to do the thinking for you.
Or worse, refusing to learn how to use it â and then blaming it for being bad.
But thatâs not an AI problem. Thatâs a human problem.
âThatâs why I say: be careful with this idea â because flash forward ten years, weâll be talking about âAI artistsâ the same way we talk about âdigital artistsâ today, without scandal. Weâll go enjoy a photography exhibition without needing to compare it to Caravaggio. Itâs simply another form of art, as long as it moves us.â
What makes something art is not the method.
Itâs what it awakens in us.
And the tools will keep changing.
đ What do you think?
Will we all switch off our brains â or will we use these tools to make our lives better? đ
I'm always curious to hear different perspectives â feel free to share yours in the comments. I read everything and reply to everyone.
â
đŹ This post sparked a wide and thoughtful conversation on LinkedIn, and I wanted to add some of the insights that emerged directly here.
Some readers shared how, in their creative paths, theyâve encountered skepticism anytime they embraced a new tool â from graphic tablets in illustration to AI-assisted writing. And yet, history shows that resistance to change is nothing new: Pollock with his dripping technique, Duchamp with readymades â innovation always faces pushback before it becomes canon.
In the world of photography, tools like Photoshop and Lightroom â powered by AI systems like Adobe Sensei â have long been part of the creative workflow. Are they any less valid? Most would say no. Which proves the point: when a tool becomes familiar, the fear fades. Until then, we debate.
There was also an important reminder that AI should never replace the core of an artistâs voice. Itâs a tool â not a crutch. Just like a paintbrush doesnât make the painting, AI doesnât make the message. The true power still lies in the choices we make and the intent we carry.
One comment sparked a thought: that what matters is not whether we call it "AI art" or "digital art" or "traditional art" â but whether it moves us. Maybe itâs not about categories at all. Maybe itâs about coexistence.
So hereâs to a creative world where tools are embraced, not feared. Where experimentation is encouraged. And where art continues to transform and evolve â¨
âď¸ I'm a B2B marketer exploring how AI is reshaping creativity, communication, and the way we work. If you're building a business and want to use these tools with clarity and impact â letâs connect.
Reminds me of what I told someone else.
I care about good writing. Not human writing.